How we work
Built for agency producers,
not for ourselves.
One brief in. One set of files out. We handle crew, kit, shoot, edit and grade as a single line item. Day rates are clear, deliverables are written down, the producer's job is easier.
What you get
A producer,
not just a videographer.
Small Batch isn't a one-person operation moving with a single camera. It's a producer-led production company. You brief me; I assemble the crew, kit and post for the job at hand. That's the difference between a £400/day videographer and a £3-6K day-rate production team, and it's the bit that makes the agency producer's life easier.
Single point of contact
You brief one person. I run the floor, the kit, the crew and the edit.
Single invoice
One number for the whole job. No separate lines for sound, grade, edit, runners.
Crew that fits the brief
2-up for a quick talking head. 4-5 up for a controlled multi-cam interview. Scaled to the day.
Kit owned, not chased
Sony Venice CineAlta MR1 in-house. Full-frame, IMAX-capable. Lens and lighting packages as the day demands.
Post that lands
1-2 week turnaround, two rounds of revisions baked in. Stills pack at delivery for your agency case study.
Discreet with your client
Presentable in front of an exec. Quiet about the agency-client relationship. White-label or Small Batch-credited, your call.
Rates
The day rate,
in plain English.
Most jobs land between £5K and £25K total. Our day rate sits at £3-6K depending on crew, kit and complexity. We're a producer-led, multi-crew bracket. Solo videographers run £400-1,000/day; two-person crews £900-1,650/day; full producer-led shops £2-3.5K before kit and post. Small Batch sits in the producer-led bracket because that's the level of reliability we deliver.
If you're not sure where you sit, send a brief and we'll tell you straight. If we're not the right fit, we'll say so.
The process, end to end
From brief to delivery
in five steps.
Brief in
15-minute call. Type, deliverables, budget, deadline. That's enough.
Quote & scope
Single PDF: crew, kit, shoot days, edit days, deliverables, single price.
Pre-pro
Locations, schedule, run-of-day, contributor logistics. You stay in the loop, not in the weeds.
Shoot
We run the floor. Attend or trust us with it. Stills captured throughout.
Edit & deliver
First cut, two rounds of notes, final master. Stills pack at delivery.
What we do
Work types we cover.
The buckets a PR-agency producer brief actually falls into. Anything outside these, just ask.
Talking heads
Single or multi-cam. Presentable, well-lit, fast turnaround.
Case study films
Documentary or controlled. Built for the agency to submit for awards.
Internal comms
Leadership messages, all-hands openers, training pieces.
Event coverage
Activations, launches, panels, awards. Highlight cut by end of week.
Social content
Cutdowns and platform-native edits as part of the same shoot day.
White-label
Crewed under your agency's banner if that's the brief.
Send a brief
If you've got a project,
four lines is enough to start.
Type, budget, deadline, what success looks like. We'll tell you within a day if we're a fit.